Text
The art of playing the ancient and modern pianoforte works, together with a list of the best pieces for that instrument by all the celebrated composers from Mozart to the present day, being a supplement to the Royal piano-forte school ... op. 500
The art of playing the ancient and modern pianoforte works, together with a list of the best pieces for that instrument by all the celebrated composers from Mozart to the present day, being a supplement to the Royal piano-forte school ... op. 500. Translated by John Bishop; published by R. Cocks.
- Date
- 18--
- Resource Type
- Creator
- Contributor
- Form of original
- Campus
- Keywords
- Opus 12, no. 1 -- Performance practices
- Opus 73 -- Meaning
- Opus 30, no. 3 -- Fingerings
- Opus 27, no. 2 -- Performance practices
- Opus 7 -- Performance practices
- Opus 19 -- Fingerings
- Opus 12, no. 2 -- Performance practices
- Opus 23 -- Performance practices
- Opus 2, no. 2 -- Performance practices
- Opus 10, no. 3 -- Performance practices
- Opus 2, no. 2 -- Fingerings
- Opus 15 -- Performances -- Vienna -- 1801
- Opus 31, no. 1 -- Performance practices
- Opus 90 -- Performance practices
- Opus 30, no. 1 -- Performance practices
- Opus 24 -- Performance practices
- Opus 37 -- Performance practices
- Opus 30, no. 3 -- Performance practices
- Meaning
- Opus 5, no. 2 -- Performance practices
- Opus 106 -- Performance practices
- Opus 16 -- Performance practices
- Opus 1, no. 2 -- Fingerings
- WoO 57 -- Performance practices
- Opus 53 -- Performance practices
- Opus 15 -- Performance practices
- Narrativity
- Opus 97 -- Fingerings
- Opus 19 -- Performance practices
- Opus 1, no. 2 -- Performance practices
- Opus 27, no. 1 -- Performance practices
- Opus 15 -- Fingerings
- Opus 58 -- Meaning
- Opus 37 -- Fingerings
- Opus 14, no. 1 -- Performance practices
- Opus 70, no. 2 -- Performance practices
- Opus 81a -- Fingerings
- Opus 31, no. 3 -- Performance practices
- Opus 2, no. 3 -- Performance practices
- Opus 5, no. 1 -- Performance practices
- Opus 31, no. 1 -- Fingerings
- Opus 30, no. 2 -- Performance practices
- Opus 10, no. 2 -- Performance practices
- Opus 2, no. 1 -- Performance practices
- Opus 11 -- Performance practices
- Piano -- Methods
- WoO 80 -- Performance practices
- Opus 17 -- Performance practices
- Opus 73 -- Fingerings
- Opus 57 -- Meaning
- Sonatas (Violin and piano) -- Performance practices -- Classical period
- Opus 73 -- Performance practices
- Variations (Piano) -- Performance practices -- Classical period
- Opus 81a -- Meaning
- Opus 110 -- Fingerings
- Opus 81a -- Performance practices
- Opus 1, no. 3 -- Performance practices
- Opus 69 -- Performance practices
- Opus 26 -- Performance practices
- Opus 102, no. 2 -- Performance practices
- Opus 14, no. 2 -- Performance practices
- Opus 47 -- Fingerings
- Opus 57 -- Performance practices
- WoO 89 -- Performance practices
- Opus 10, no. 1 -- Performance practices
- Opus 1, no. 1 -- Performance practices
- Opus 31, no. 2 -- Fingerings
- Opus 22 -- Performance practices
- Opus 109 -- Performance practices
- Opus 77 -- Performance practices
- Opus 96 -- Performance practices
- Opus 53 -- Fingerings
- Opus 56 -- Performance practices
- Sonatas (Violoncello and piano) -- Performance practices -- Classical period
- Concertos (Piano) -- Performance practices -- Classical period
- Opus 47 -- Performance practices
- Opus 26 -- Meaning
- WoO 65 -- Performance practices
- Opus 70, no. 1 -- Performance practices
- Opus 78 -- Performance practices
- Opus 120 -- Performance practices
- Piano music -- Performance practices -- Classical period
- Opus 31, no. 2 -- Performance practices
- Opus 97 -- Performance practices
- Opus 13 -- Fingerings
- Opus 111 -- Performance practices
- Opus 106 -- Meaning
- Opus 28 -- Meaning
- Opus 101 -- Performance practices
- Opus 27, no. 2 -- Meaning
- Opus 80 -- Performance practices
- Poetic idea
- Opus 70, no. 2 -- Meaning
- Opus 28 -- Performance practices
- Opus 7 -- Fingerings
- Opus 14, no. 1 -- Fingerings
- Sonatas (Piano) -- Performance practices -- Classical period
- Opus 58 -- Performance practices
- Opus 24 -- Fingerings
- Opus 13 -- Performance practices
- Opus 27, no. 1 -- Fingerings
- WoO 51 -- Performance practices
- Opus 31, no. 2 -- Meaning
- Piano trios -- Performance practices -- Classical period
- Opus 58 -- Fingerings
- Opus 14, no. 2 -- Fingerings
- Opus 110 -- Performance practices
- Opus 69 -- Fingerings
- Opus 2, no. 3 -- Fingerings
- Opus 12, no. 3 -- Performance practices
- Opus 54 -- Performance practices
- Opus 102, no. 1 -- Performance practices
- Source
- sanjose_bc_mt222_c93_op500_v4
- Related URL
- Handle
- Identifier
- MT222_C93_op500_v4
- Language
- Alternative Title
- Vollständige theoretisch-praktische Pianoforte-Schule. Supplement
- Notes
- Shelf number: MT222 .C93 op. 500 v.4
- Extent
- 186 pages
- Rights Note
- This work is in the public domain and therefore the digital images attached to this catalog record may be used without permission for study and research purposes. Credit statements for these images should read From the collections of the Ira F. Brilliant Center for Beethoven Studies, San José State University. For information on obtaining higher resolution reproductions and permission to publish, see the Beethoven Center's website https://www.sjsu.edu/beethoven/collection/library-materials/index.php
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